Closing out December with Get Out, Dunkirk, and Good Time
Capsule Reviews: Get Out; Dunkirk; Good Time

Closing out December with Get Out, Dunkirk, and Good Time
A sociological thriller and an animated neo-noir
A story of grief and racial violence, a mash-up of animation styles, and a creepy specimen of cosmic horror
An intense psychological thriller, a horror movie about the scars of war, and a crime drama-cum-fairy tale
A horror film from Laos, a race riot comedy from Australia, and more
Oscar Isaac's performance is the film's sole bright spot, but not enough to justify actually watching the stupid thing.
Our culture turned 99 Homes’s greed-driven villain into who he is, and it can do the same to us if we're not careful.
A family drama masquerading as a thriller, more about heartbreak and relationships than excitement, and perhaps the best of the year.
Doing a heist movie as one long take seems like a fantastic idea. But the film lost me during the over-long and achingly dull lead-up to the actual heist.
Sicario isn't just a crime drama. It's a meditation on how to preserve morality in an environment where morality doesn't exist.