Happy Death Day
Directed by Christopher Landon, 2017. Starring Jessica Rothe, Israel Broussard, Ruby Modine, Rachel Matthews, Charles Aitken. 96 minutes. ★★★
Happy Death Day doesn’t look particularly promising on paper; it’s basically Groundhog Day for the Blumhouse set, and even cops to the influence in the dialog. But it actually works despite its script being a pile of college-dorm-life clichés. Christopher Landon keeps the pace brisk enough to outrun the script’s copious plot holes without exhausting the audience. Meanwhile, Jessica Rothe provides an exuberant and affable performance in the lead role of Tree (not kidding), a sorority queen-bee who finds herself reliving the day of her murder over and over again. I would have liked a bit more edginess and satire and a bit less predictability, but hey, you can’t have everything.
Special props to Phi Vu for delivering the line “So did you tap that fine vagine?” as if it were something someone somewhere would actually say.
Directed by Duncan Jones, 2009. Starring Sam Rockwell, Kevin Spacey, Dominique McElligott, Benedict Wong, Matt Berry. 97 minutes. ★★★★
Sam Rockwell gets an entire movie to himself and the result is Moon, in which he plays an engineer and the lone crewmember of a lunar helium refinery. I felt director Duncan Jones could have done more with the script’s central twist (no spoilers but it’s very similar to a film released around the same time as Moon, that starred Sally Hawkins and Charlotte Rampling as schoolteachers), but he does a great job of communicating the vast, awesome emptiness and solitude of the Moon, and I haven’t seen a better performance from Rockwell than this one. Also, Kevin Spacey gets to play the voice of the base’s controlling AI, a performance delightfully reminiscent of Douglas Rain’s outings as HAL.
The Childhood of a Leader
Directed by Brady Corbet, 2015. Starring Tom Sweet, Bérniéce Bejo, Liam Cunningham, Stacy Martin, Robert Pattinson. 115 minutes. ★★★
For his feature début in the director’s chair, American actor Brady Corbet—still probably best known for playing Peter to Michael Pitt’s Paul in the Funny Games remake—takes a Jean-Paul Sartre story and turns it into a two-hour-long temper tantrum…literally. British child actor Tom Sweet (apparently seven years old at the time this film was made) plays Prescott, the son of an American diplomat (Liam Cunningham) and his French wife (Bérniéce Bejo) living in France during the waning days of World War I. For the most part, it plays as a typical dark family study about unpleasant parents raising an unpleasant child, until the film’s final fifteen minutes take everything to a bizarre yet logical extreme. Featuring gorgeous cinematography courtesy Lol Crawley and a frightening disjointed score by pop star-turned-avant garde legend Scott Walker, it’s bloated and pretentious, but not easily forgotten.