Capture Kill Release (directors: Nick McAnulty & Brian Allan Stewart) may be yet another found-footage horror movie in a world that doesn’t need any more of them, but at least it’s a good one. Farhang Ghajar and Jennifer Fraser shine in this tale of a young couple making their own snuff movie. This is what House of 100 Eyes could have been had it been done right.
It wasn’t really my thing, but I heartily recommend Holy Hell (director: Ryan LaPlante) to all fans of outrageous, over-the-top, Troma-style gross-out horror-comedies. LaPlante stars as a mild-mannered priest who takes up the path of holy vengeance after barely surviving a night at the mercy of a clan of twisted, depraved freaks. If nothing else, where else are you going to find a gun battle between a man of the cloth and a drag queen in a kitten mask?
The Sublet (director: John Ainslie) finds an engaged couple with a toddler son taking up residence in a creepy apartment with a sinister past. This modern-day riff on The Haunting of Hill House gets a lot right, including a fine performance from lead actress Tiana Nori, but the story fails to come together in a satisfying way, and the film feels like a jigsaw puzzle with half the pieces missing.